NIKKOR Z 24-70mm f/2.8 S II Review (Real-World Test)

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Last Updated: July 2026

Quick Jump

The NIKKOR Z 24-70mm f/2.8 S II is one of Nikon's most significant lens updates for professional photographers and hybrid creators. Rather than simply refreshing the original design, Nikon re-engineered one of its most important lenses with an internal zoom mechanism, a lighter body, faster autofocus, and improvements aimed at both photography and video.

A 24-70mm f/2.8 lens is often considered the workhorse of a professional kit. Whether you're photographing concerts, weddings, events, travel, journalism, or commercial assignments, this focal range covers everything from wide environmental shots to flattering portraits. For many photographers, it's the lens that spends the most time attached to the camera.

The question isn't whether the new lens performs well—it clearly does. The more important question is whether the improvements justify replacing the original NIKKOR Z 24-70mm f/2.8 S, especially given its premium price.

This review focuses on how the lens performs in real-world photography, particularly for concert and event shooters, rather than simply repeating the specification sheet.
Quick Take

If you want the short version:

  • Best for: Nikon shooters who want the most refined standard zoom in the system

  • Biggest upgrades: internal zoom, lower weight, faster AF, stronger hybrid appeal

  • Main drawback: price

  • Best verdict: a serious upgrade for hybrid creators and demanding shooters, less essential for budget-conscious stills-only users

At a Glance

Category Rating
Image Quality ⭐⭐⭐⭐⭐
Autofocus ⭐⭐⭐⭐⭐
Low-Light Performance ⭐⭐⭐⭐⭐
Build Quality ⭐⭐⭐⭐⭐
Video Performance ⭐⭐⭐⭐⭐
Value ⭐⭐⭐⭐☆
Overall 9.7/10

Image Quality

Rating: ⭐⭐⭐⭐⭐

Autofocus

Rating: ⭐⭐⭐⭐⭐

Low-Light Performance

Rating: ⭐⭐⭐⭐⭐

Build Quality

Rating: ⭐⭐⭐⭐⭐

Video Performance

Rating: ⭐⭐⭐⭐⭐

Value

Rating: ⭐⭐⭐⭐☆

Overall

Rating: 9.7/10

NIKKOR Z 24-70mm f/2.8 S II Overview

The lens sits near the top of Nikon's Z-mount lineup as its flagship professional standard zoom.

It is designed for photographers who need exceptional optical quality while also supporting modern hybrid workflows that combine still photography with professional video production.

Unlike the original model, the S II emphasizes handling as much as image quality. Nikon focused on reducing weight, maintaining balance during zooming, improving autofocus, and making the lens more attractive for creators who frequently work on gimbals or video rigs.

Best For

  • Concert photography

  • Event photography

  • Weddings

  • Commercial photography

  • Documentary work

  • Travel photography

  • Hybrid photo/video creators

Key Specifications

Feature NIKKOR Z 24-70mm f/2.8 S II
Mount Nikon Z
Format Full Frame (FX)
Focal Length 24–70mm
Maximum Aperture f/2.8
Minimum Aperture f/22
Autofocus Silky Swift Voice Coil Motor (VCM)
Diaphragm 11 rounded blades
Internal Zoom Yes
Weather Sealing Yes
Weight Approx. 675 g
Filter Size 82 mm
Launch Price $2,799.95 USD

Mount

NIKKOR Z 24-70mm f/2.8 S II: Nikon Z

Format

NIKKOR Z 24-70mm f/2.8 S II: Full Frame (FX)

Focal Length

NIKKOR Z 24-70mm f/2.8 S II: 24–70mm

Maximum Aperture

NIKKOR Z 24-70mm f/2.8 S II: f/2.8

Minimum Aperture

NIKKOR Z 24-70mm f/2.8 S II: f/22

Autofocus

NIKKOR Z 24-70mm f/2.8 S II: Silky Swift Voice Coil Motor (VCM)

Diaphragm

NIKKOR Z 24-70mm f/2.8 S II: 11 rounded blades

Internal Zoom

NIKKOR Z 24-70mm f/2.8 S II: Yes

Weather Sealing

NIKKOR Z 24-70mm f/2.8 S II: Yes

Weight

NIKKOR Z 24-70mm f/2.8 S II: Approx. 675 g

Filter Size

NIKKOR Z 24-70mm f/2.8 S II: 82 mm

Launch Price

NIKKOR Z 24-70mm f/2.8 S II: $2,799.95 USD

Why the 24-70mm Focal Range Matters

If you could own only one professional zoom lens, a 24-70mm f/2.8 would likely be the choice.

The range is versatile enough to handle an enormous variety of subjects.

At 24mm, it's wide enough for:

  • landscapes

  • environmental portraits

  • architecture

  • venue overviews

Around 35–50mm, it excels for:

  • documentary photography

  • street photography

  • travel

  • everyday shooting

At 70mm, it becomes ideal for:

  • portraits

  • stage performers

  • weddings

  • tighter event compositions

Combined with a constant f/2.8 aperture, the lens performs well in low light while providing pleasing background separation.

What Changed From the Original?

While the original NIKKOR Z 24-70mm f/2.8 S was already one of Nikon's sharpest lenses, the S II introduces meaningful refinements rather than simply increasing optical sharpness.

Major upgrades include:

  • Internal zoom mechanism

  • Approximately 16% lighter design

  • New Silky Swift VCM autofocus motor

  • Quieter autofocus operation

  • Improved handling for video

  • More stable balance while zooming

  • Updated optical refinements

  • Continued weather sealing

Many of these changes won't appear dramatic on a specification sheet, but together they noticeably improve the overall shooting experience.

Internal Zoom Design

The headline feature of the S II is its internal zoom construction.

Unlike traditional zoom lenses that extend as you change focal lengths, the barrel of the S II remains the same physical length throughout the entire zoom range.

For photographers, this creates a more balanced lens that feels consistent in the hand.

For video creators, the advantages are even greater.

Benefits of Internal Zoom

An internal zoom design provides several practical advantages:

  • Constant balance while zooming

  • Better compatibility with gimbals

  • No extending front barrel

  • Reduced chance of drawing dust into the lens

  • Improved handling during handheld video

  • More consistent weight distribution

While none of these improvements directly affect image quality, they contribute to a more polished shooting experience.

Why This Matters for Professional Work

Small ergonomic improvements become significant over the course of a full day of shooting.

Imagine photographing:

  • a six-hour wedding

  • a music festival

  • a sporting event

  • a documentary assignment

  • an all-day commercial production

The lighter weight, better balance, and consistent handling reduce fatigue and make the camera feel more responsive.

These are the kinds of improvements professionals notice every time they pick up the camera.

First Impressions

After spending time with the NIKKOR Z 24-70mm f/2.8 S II, the biggest takeaway isn't a dramatic leap in image quality—it's refinement.

The lens feels lighter, faster, and more modern without sacrificing the excellent optical performance that made the original version so highly regarded.

It immediately feels like a lens designed for today's hybrid photographers, where switching between stills and video is increasingly common.

For Nikon users looking for a premium everyday zoom, the S II sets a very high standard before you even begin evaluating its autofocus or image quality.

Autofocus Performance

One of the biggest upgrades in the NIKKOR Z 24-70mm f/2.8 S II is its autofocus system.

The original 24-70mm f/2.8 S already focused quickly and accurately, but Nikon redesigned the S II with its new Silky Swift Voice Coil Motor (VCM). The result is autofocus that feels more responsive, quieter, and better suited for both photography and video.

For photographers, that means fewer missed moments. For hybrid creators, it also means smoother focus transitions with less audible motor noise during recording.

What the New VCM Motor Improves

Compared to the original lens, the S II delivers:

  • Faster focus acquisition

  • Improved subject tracking

  • Nearly silent autofocus operation

  • Better responsiveness with modern Nikon bodies

  • Smoother focus transitions for video

These improvements aren't dramatic in controlled tests, but they become noticeable during fast-paced real-world shooting.

Concert Photography Performance

Concert photography is one of the most demanding environments for autofocus.

The camera has to deal with:

  • rapidly changing stage lighting

  • heavy backlighting

  • smoke and haze

  • flashing LEDs

  • performers constantly changing direction

This is where the S II feels particularly confident.

Mounted on cameras like the Nikon Z6 III, Z8, or Z9, autofocus locks quickly and maintains tracking remarkably well, even when performers briefly move through darker sections of the stage.

Rather than hunting for focus every time lighting changes, the lens generally keeps up with the camera's subject detection system, allowing you to concentrate on composition instead of constantly worrying about focus.

Subject Tracking

Modern Nikon bodies rely heavily on subject recognition.

The S II complements those systems extremely well.

Whether tracking:

  • singers moving across the stage

  • guitarists jumping

  • drummers behind cymbals

  • performers walking toward the camera

the lens responds quickly enough that the autofocus system rarely feels like the limiting factor.

In many situations, the camera body determines tracking performance more than the lens itself, but the fast VCM motor ensures the optics keep pace.

Event Photography

Concerts aren't the only demanding environment.

The lens also excels during:

  • weddings

  • corporate events

  • sports ceremonies

  • conferences

  • documentary assignments

  • street photography

One moment you may be photographing a speaker at 70mm.

Seconds later you're zooming to 24mm for a wide environmental scene.

The autofocus responds instantly without hesitation.

Low-Light Performance

Professional zoom lenses often separate themselves in poor lighting.

The constant f/2.8 aperture allows substantially more light than slower kit lenses while maintaining excellent optical quality throughout the zoom range.

For photographers shooting:

  • indoor concerts

  • receptions

  • churches

  • theaters

  • museums

  • night events

this additional light makes autofocus more dependable while allowing lower ISO settings or faster shutter speeds.

Autofocus in Low Light

The new autofocus system performs particularly well in dim venues.

Even under:

  • colored LED lighting

  • blue wash lighting

  • red spotlights

  • heavy haze

focus acquisition remains quick and confident.

No autofocus system is perfect in complete darkness, but the S II consistently avoids the excessive hunting that can occur with slower or older lenses.

Image Quality

The original 24-70mm f/2.8 S already established Nikon as one of the leaders in standard zoom image quality.

Rather than completely redesigning the optics, Nikon refined an already excellent formula.

The result is outstanding performance throughout the zoom range.

Sharpness

Sharpness is excellent.

Across the frame the lens delivers:

  • impressive center sharpness

  • excellent corner detail

  • strong edge-to-edge consistency

  • minimal softness wide open

Stopping down to f/4 or f/5.6 provides only modest gains because performance at f/2.8 is already exceptionally high.

This makes the lens particularly valuable for professionals who routinely shoot wide open.

Color and Contrast

One of Nikon's strengths has long been natural color rendering.

The S II continues that tradition.

Images display:

  • rich but realistic colors

  • excellent contrast

  • smooth tonal transitions

  • pleasing skin tones

For concert photography, where colored lighting can quickly overwhelm a scene, this balanced rendering provides a solid starting point during RAW processing.

Bokeh

Although a 24-70mm isn't primarily a portrait lens, background blur is attractive throughout much of the zoom range.

At 70mm and f/2.8 you can produce:

  • soft background separation

  • pleasing subject isolation

  • smooth out-of-focus highlights

The updated 11-blade aperture diaphragm helps maintain more rounded highlight shapes when stopping down slightly.

Flare and Ghosting

Stage lighting can be brutal on lenses.

Spotlights, lasers, LEDs, and direct lighting often reveal weaknesses in coatings.

Fortunately, Nikon's premium coatings do an excellent job reducing:

  • ghosting

  • flare

  • contrast loss

Even when shooting directly toward stage lights, the lens maintains strong overall contrast with minimal distracting artifacts.

Dynamic Range

Dynamic range is technically determined by the camera sensor, but lenses still influence the final image through contrast and light transmission.

The S II delivers files that retain excellent tonal information.

Combined with modern Nikon sensors, photographers have substantial flexibility when recovering:

  • shadow detail

  • bright stage lighting

  • difficult backlit scenes

  • sunset landscapes

For event photographers working in unpredictable lighting, this editing flexibility is invaluable.

Real-World Shooting Experience

Specifications tell only part of the story.

The true test is how the lens performs during long shooting days.

Across concerts, events, travel, and general photography, several characteristics stand out.

It Gets Out of Your Way

The best professional equipment allows you to focus on the subject instead of the gear.

The S II consistently does exactly that.

Zooming feels smooth.

Autofocus reacts instantly.

Balance remains constant.

Nothing about the lens distracts from shooting.

Comfortable All-Day Use

The reduction in weight compared to the original lens may not sound dramatic on paper, but after carrying the camera for several hours it becomes noticeable.

Photographers covering:

  • all-day weddings

  • music festivals

  • conventions

  • sporting events

will appreciate the lighter build by the end of a long assignment.

A Lens That Rarely Leaves the Camera

Many photographers own numerous lenses but spend most of their time using one.

For Nikon professionals, this could easily be that lens.

Its versatility allows it to handle:

  • environmental portraits

  • landscapes

  • travel

  • journalism

  • commercial work

  • concerts

  • weddings

  • family photography

without feeling like a compromise.

That versatility is ultimately what makes a premium 24-70mm f/2.8 such an essential part of so many professional camera bags.

Handling & Build Quality

The NIKKOR Z 24-70mm f/2.8 S II doesn't just perform well—it also feels like a professional tool built for demanding use.

Nikon refined nearly every aspect of the handling experience, making the lens lighter, better balanced, and more comfortable during long shooting sessions.

Build Quality

As part of Nikon's premium S-Line, the lens features excellent construction with extensive weather sealing designed to handle challenging conditions.

It inspires confidence whether you're photographing:

  • outdoor concerts

  • weddings

  • travel assignments

  • sporting events

  • commercial productions

  • landscapes in unpredictable weather

Like any weather-sealed lens, it's not meant to be submerged or abused, but it should easily handle rain, dust, and everyday professional use.

Zoom & Focus Rings

Both control rings operate smoothly with excellent damping.

The internal zoom mechanism keeps the overall balance nearly identical throughout the zoom range, making the lens feel more predictable than extending zoom designs.

Benefits include:

  • smooth zoom resistance

  • precise manual focus

  • consistent balance

  • comfortable operation during long sessions

For photographers who frequently zoom while tracking moving subjects, this consistency becomes surprisingly noticeable.

Weather Resistance

Professional photographers rarely get to choose perfect weather.

Fortunately, Nikon designed the S II with extensive sealing against:

  • dust

  • moisture

  • light rain

  • cold weather shooting

Combined with weather-resistant Z-series camera bodies like the Z6 III, Z8, or Z9, it creates a dependable system for outdoor work.

Video Performance

While the original lens was already capable for video, the S II clearly targets hybrid creators.

Several improvements make it significantly more appealing for filmmaking.

Internal Zoom Advantage

One of the biggest benefits for video is the new internal zoom design.

Because the lens never changes length:

  • gimbal balance stays consistent

  • handheld shooting feels steadier

  • accessories don't require rebalancing

  • follow-focus systems operate more predictably

For videographers, this alone can justify considering the newer version.

Quiet Autofocus

The Silky Swift VCM motor is impressively quiet.

This helps reduce the chance of autofocus motor noise being picked up by on-camera microphones during:

  • interviews

  • documentaries

  • weddings

  • behind-the-scenes footage

  • live event coverage

While professionals often record audio separately, quieter autofocus is still a welcome improvement.

Focus Breathing

Focus breathing appears well controlled.

Although not completely eliminated, it is minimal enough that focus transitions remain natural without obvious framing changes.

For hybrid creators switching regularly between photography and video, this contributes to a much more polished workflow.

Best Nikon Z Camera Pairings

The S II performs well on virtually every Nikon Z body, but certain combinations stand out.

Nikon Z6 III

Perhaps the most balanced pairing.

Ideal for:

  • concerts

  • events

  • weddings

  • hybrid content

  • travel

The camera's excellent autofocus and stacked sensor complement the lens perfectly.

Nikon Z8

For professionals needing maximum speed and resolution.

Excellent for:

  • commercial photography

  • sports

  • wildlife

  • demanding event work

Nikon Z9

The flagship pairing.

Ideal when:

  • absolute autofocus performance matters

  • reliability is critical

  • speed is the highest priority

Nikon Zf

A surprisingly enjoyable combination.

Perfect for:

  • travel

  • documentary photography

  • street photography

  • lifestyle work

The lighter S II helps maintain better balance on the retro-inspired body.

Best Uses for This Lens

One reason 24-70mm lenses remain so popular is their versatility.

This lens excels across numerous genres.

Concert Photography

One of its strongest applications.

The combination of:

  • f/2.8 aperture

  • fast autofocus

  • excellent sharpness

  • consistent handling

makes it an outstanding concert lens.

It's capable of covering an entire show without changing lenses.

Event Photography

Corporate events, award ceremonies, fundraisers, and private events all benefit from the flexibility of 24-70mm.

You can quickly transition from:

  • room overviews

  • candid moments

  • speaker portraits

  • group photos

without changing equipment.

Wedding Photography

Wedding photographers often spend the majority of the day with a 24-70mm attached.

The S II's lighter weight becomes especially valuable during:

  • eight-hour weddings

  • destination weddings

  • long receptions

Travel Photography

Although not a compact lens, it provides enough versatility that many photographers can comfortably travel with just:

  • 24-70mm

  • telephoto

  • ultra-wide

rather than carrying multiple overlapping lenses.

Nikon Z 24-70mm f/2.8 S II vs Competitors

vs Original NIKKOR Z 24-70mm f/2.8 S

Choose the S II if you want:

  • internal zoom

  • lower weight

  • faster autofocus

  • quieter operation

  • stronger hybrid performance

Keep the original if:

  • you mainly shoot stills

  • you're happy with current performance

  • budget matters more than refinement

The original remains an outstanding lens, making the upgrade more evolutionary than revolutionary.

vs Sony FE 24-70mm f/2.8 GM II

Sony's GM II remains one of the strongest competitors.

Sony offers:

  • exceptional sharpness

  • extremely lightweight design

  • excellent autofocus

Nikon counters with:

  • internal zoom

  • outstanding optical consistency

  • premium handling

  • excellent integration with Nikon's latest Z bodies

Both rank among the best standard zooms currently available.

vs Canon RF 24-70mm f/2.8L IS USM

Canon's RF version adds optical image stabilization.

Nikon counters with:

  • internal zoom

  • lighter overall weight

  • modern hybrid-focused refinements

Image quality between both lenses is exceptional, making system preference the deciding factor for most buyers.

Pros & Cons

Pros

✅ Outstanding image quality

✅ Internal zoom design

✅ Approximately 16% lighter than the original

✅ Excellent autofocus performance

✅ Quiet VCM focusing motor

✅ Strong weather sealing

✅ Excellent handling

✅ Outstanding concert and event lens

✅ Excellent for hybrid creators

Cons

❌ Premium price

❌ Existing owners of the original may not need to upgrade

❌ No optical image stabilization (relies on IBIS)

❌ 82mm filters remain relatively expensive

Who Should Buy It?

The S II is an excellent investment for photographers who depend on a standard zoom every day.

It's especially recommended for:

  • concert photographers

  • wedding photographers

  • event photographers

  • commercial photographers

  • documentary shooters

  • hybrid photo/video creators

  • travel photographers wanting one premium zoom

Who Might Skip It?

You may want to keep the original lens—or consider another option—if:

  • you already own the original 24-70mm f/2.8 S and are satisfied with it

  • you primarily shoot landscapes using a tripod

  • video isn't part of your workflow

  • budget is a major concern

For many still photographers, the original lens continues to offer exceptional performance at a lower price.

Final Verdict

The NIKKOR Z 24-70mm f/2.8 S II isn't a lens that reinvents Nikon's standard zoom—it refines nearly every aspect of it.

Image quality remains outstanding, autofocus is faster and quieter, handling is noticeably improved, and the internal zoom design makes the lens especially attractive for today's hybrid creators.

For photographers upgrading from older F-mount systems or assembling a professional Nikon Z kit, it's one of the finest standard zooms currently available.

If you already own the original 24-70mm f/2.8 S, the decision becomes more nuanced. The improvements are real, but they're primarily about usability rather than dramatically better image quality.

For professionals who spend hundreds of hours each year behind a 24-70mm lens, those refinements may be worth every dollar.

Frequently Asked Questions

Is the NIKKOR Z 24-70mm f/2.8 S II worth upgrading to?

If you frequently shoot events, weddings, concerts, or hybrid photo and video work, the lighter weight, internal zoom, and improved autofocus make it a worthwhile upgrade. If you're primarily a still photographer already happy with the original version, the upgrade is less essential.

Is the Nikon 24-70mm f/2.8 S II good for concert photography?

Yes. Its fast f/2.8 aperture, excellent autofocus, sharp optics, and versatile focal range make it one of the best Nikon Z lenses for concert photography.

Is the Nikon 24-70mm f/2.8 S II good for weddings?

Absolutely. Wedding photographers benefit from its versatility, lighter design, fast autofocus, weather sealing, and excellent image quality throughout the zoom range.

Does the lens have image stabilization?

No. The lens relies on the in-body image stabilization (IBIS) found in compatible Nikon Z cameras.

Is the internal zoom really useful?

Yes. Internal zoom keeps the lens balanced while zooming, improves handling, works better on gimbals, and creates a more stable shooting experience for both photographers and videographers.

Is it sharp wide open?

Yes. Sharpness is excellent even at f/2.8, with impressive center and corner performance across much of the zoom range.

Is this lens good for video?

Very much so. The internal zoom mechanism, quiet autofocus motor, reduced focus breathing, and stable handling make it one of Nikon's strongest standard zooms for hybrid creators.

Is it worth the price?

If you rely on a 24-70mm lens professionally, the refinements justify the premium. Casual photographers or existing owners of the original version may find better value by keeping the earlier model.


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